lundi 6 février 2017

Bruce Springsteen & the E Street Band - New York City Dream Box, MSG 2009 ffla bizzz 21****


Bruce Springsteen & the E Street Band - New York City Dream Box, MSG 2009

Bruce Springsteen & the E Street Band
New York City Dream Box
MSG NYC 2009



"Wild Innocent & E Street Shuffle Night"
Madison Square Garden, New York, NY
November 7, 2009
Working on a Dream Tour


Thundercrack
Seeds
Prove It All Night
Hungry Heart
Working on a Dream
The E Street Shuffle
4th of July, Asbury Park (Sandy)
Kitty's Back
Wild Billy's Circus Story
Incident on 57th Street
Rosalita (Come Out Tonight)
New York City Serenade
Waitin' on a Sunny Day
Raise Your Hand
Does This Bus Stop at 82nd Street?
Glory Days
Human Touch
Lonesome Day
The Rising
Born to Run
Wrecking Ball
Bobby Jean
Hard Times Come Again No More
American Land
Dancing in the Dark
Higher and Higher

and

"The River Night"
Madison Square Garden, New York, NY
November 8, 2009
Working on a Dream Tour


Wrecking Ball
The Ties that Bind
Sherry Darling
Jackson Cage
Two Hearts
Independence Day
Hungry Heart
Out in the Street
Crush on You
You Can Look (But You Better Not Touch)
I Wanna Marry You
The River
Point Blank
Cadillac Ranch
I'm a Rocker
Fade Away
Stolen Car
Ramrod
The Price You Pay
Drive All Night
Wreck on the Highway
Waitin' on a Sunny Day
Atlantic City
Badlands
Born to Run
Seven Nights to Rock
Sweet Soul Music
No Surrender
American Land
Dancing in the Dark
Can't Help Falling in Love

BS - 2009-11-07-8 Madison Square Garden 2009 (No Label Info Given).rar - FileFactory

This is yet another release from the "no label" or "anonymous" label containing both of Springsteen's excellent shows at Madison Square Garden in the fall of 2009, aquired as a very pricey import. The label bills this release as a "Stereo Soundboard Recording" as it did with the similar release "Giants Stadium 2009." Interestingly enough, I feel the claim of this being an actual soundboard tape may actually be true, even though the last known soundboard tape to leak out of Camp Bruce was from 1993. To my ears, it doesn't have the thin, almost hollow quality of most IEM recordings, and the lack of obnoxious audience noise (like the screamers & the talkers) make it seem less like an IEM-audience recording mix. That is not to say it sounds dry & sterile, which it does not- there is audience noise at the expected parts that are not intrusive to the music. And as far as the music goes-it is grand, with a nice, full balanced mix (for the most part). Therefore, if it is a mix of some variety of multiple IEMs and an audience source, it is one of the most skillfull mixes ever made. I just don't feel that it is. How this tape ever made it out to the public, I don't know-but Springsteen fans everywhere should rejoice to have such fantastic quality shows available given Bruce & his management's obtuse reluctance to just put out live show downloads as many other artists have. I just hope these great tapes keep coming.
Although these shows have already made the rounds in great quality, this particular release offers yet more versions to add to the ranks. How does this release rank in comparison to the others? The source of the Wild & Innocent show is the same as the Crystal Cat release from last year, although this version to me is superior. Why? Because it doesn't have the eardrum-splitting, over-the-top compression on it that Crystal Catunfortunately applied to the source. The music is natural and has room to breathe here, as it sounded that night in the arena. This release also avoids Crystal Cat's problematic choice to split Incident On 57th Street & Rosalita between 2 discs. The natural flow of the show is intact, with the split occuring at the more logical point between Wild Billy's Circus Story & Incident, as it occurs on the original LP.
The best part of this release of The River show, which is a completely new source from all of the currently circulating sources. The quality is again outstanding, with a nice natural and full sound. To have an excellent sonic document of the best concert I have ever seen by Bruce (or any other artist) since I started seeing him in 2000 is a blessing. Indeed, I feel November 8, 2009 still stands as the best show Bruce Springsteen & The E Street Band performed since 1999, through and including the recent 2012 European stadium run. It was simply that good. The band had an energy flowing from that stage that night like I have never witnessed, and were locked into playing off one another, as if they were 30 years younger themselves. The outing of such long-forgotten jems as The Price You Pay, Stolen Car, Fade Away & Wreck On The Highway would expectedly be shaky at best-but the band absolutely nailed each and every song with laser focused intensity. Even the more common tracks like Two Hearts, Ramrod, and Out In The Street seemed to have just a little more joy to them. Most importantly, in playing the whole of The River, the show had that dramatic arc of many emotions which had been so lacking in many of the shows from 2009.
Not that November 7, 2009 is anything subpar, for the full performance of The Wild, The Innocent & The E Street Shuffle is simply exquisite. If the rest of the show feels somewhat "ordinary" it is due to the fact that the album performance overshadows the rest of it by a long mile. Here we have what I consider to be the absolute definitve versions of 2 of my favorite Springsteen songs, Incident On 57th Street and New York City Serenade, bar none. The addition of the strings and the congas to New York City Serenade, as present on the original album version, give it a totally unique feeling and texture that was sorely absent in other performances, and Bruce's vocal delivery is absolutely sublime. On Incident, again the band nails the dynamics of the song with sheer precision, and Bruce concludes it with a fierce guitar solo that launches it into the stratosphere. Elsewhere, E Street Shuffle and Kitty's Back absolutely smoke with the addition of a horn section. Add in fine performances of Human Touch, one of my "guilty pleasures" from the Springsteen songbook, a fantastic Thundercrack, and a seething version of Seeds and you have one fine show indeed. To have them in this sound quality make this a must-have release.

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